The Twitter Dress – finally!

Well, wasn’t this just a project that went on and on and on and on?

Pattern: Colette Patterns‘ Pastille (adapted)
Time taken: TOO BLOODY LONG
Fabric: Turquoise cotton fabric plus quilting cotton for bodice
Details: Wonky embroidered bird, lapped zipper, princess seams.

As I mentioned in my last post, setting myself a deadline really helped me get this project done eventually. It was a dress which started out with the best of intentions, inspired by a pair of earrings resembling the Twitter logo. The original dress used a vintage pattern I gave away earlier this year and I thought it would all be so easy because there were so few pattern pieces.

Except that didn’t quite work out and I was left wondering what on earth I should do with a dress which wouldn’t look out of place on the operating table. Enter Pastille, a pattern I’d originally pictured in this colour.

Because of the way the original bodice was cut, I had to make some adjustments to the front bodice, namely changing darts on the front to princess seams so I’d have separate pieces to work with. I also did a swayback adjustment because I knew my muslin of this pattern gaped a lot at the zipper.

Then it was a seemingly endless process of basting and unpicking as I tried to get the fit just right on the bodice. At first, the front stuck out at the armpits because I hadn’t taken enough out to accommodate the extra seams. I remedied this by taking half an inch off the shoulders and a little extra off the princess seams. It’s by no means perfect, but it’s the best fit I’ve managed in a garment yet.

Well, you all know how I feel about the embroidery, but I don’t think it was too shabby for a first attempt.

Unfortunately I didn’t have enough fabric to create the cool pleated effect on the skirt. I initially thought of adding a black band, but I thought it would a bit naff.

To finish, I added a lapped centre zipper because, while they’re certainly extra effort, I’m a big fan of how it keeps everything nicely hidden. Especially useful when you don’t actually have the right colour zipper to hand…

All that was left to add was a snippet of a ribbon I got free with Mollie Makes magazine a couple of months ago. I think it adds a nice touch, no?

This pattern, by the way, save for the back piece, is absolutely fantastic. I’ve honestly never made anything where all the darts lined up so perfectly and everything (save for the bits I had to change because of fabric limitations) went very smoothly. It’s a testament to how well-designed the Colette Patterns’ range is.

But, more than anything… I’M SO GLAD IT’S OVER. Finally, I can move on to something else! I’m planning to do a bit of experimentation with dye this weekend, but my next proper project will be part of the Peony sewalong.

In fact, I have another deadline for this one. Oh, and it’s a biggie.

In November, I’ll actually be in the Guardian’s offices for the Guardian Student Media Awards, because I only went and got nominated!!! (I’ve been keeping this under my hat for what feels like an eternity…) I can’t think of anything better than to show up in something I’ve made myself as part of a digital sewalong.

Who else is taking part? I’m properly excited!

Stitching to deadline – let’s get this dress done!

I like to think I can “do” deadlines. There’s nothing quite like the adrenaline of a big deadline inching closer and closer by every second.

At least if you make a mistake in an article, you can get it corrected in a matter of seconds once you’ve spotted it. But say you end up sewing something topsy turvy, you’re guaranteed to have a solid half hour of unpicking on your hands – and that’s only if you were lucky enough to make a mistake on the bodice.

This is partly why the Twitter dress has taken me so long to get done. But with the Wales Blog Awards presentation coming up this week, I really wanted to get the dress done so I’d have a me-made dress for the evening – it would be a bit embarrassing if I wore anything else, wouldn’t it?

Making progress!

I don’t know what it is about an imposing deadline, but I managed to get most of the dress done last night! A lot of what I have left now is hand-sewing, which I can do on the train back to Cardiff tomorrow evening.

How satisfying! Do you perform well under deadlines?

What do you do when you hate your work-in-progress?

There are always going to be projects which don’t work out so well.

A poor choice in fabric, a cut which isn’t quite as flattering off the pattern envelope or even just the sheer effort of trying to force a project to go your way can turn a work-in-progress to an unfinished garment. These are the projects which make you want to run out to the shops and just buy a similar garment because it would be oh-so much simpler.

This is where I find myself with my Twitter dress. It started out so well! I found the fabric in Boyes while I visited York, even found some super-cool buttons and was planning to whip up a turquoise version of the sixties dress featured in the blog’s first giveaway.

So I cut out the pattern pieces and started basting them together to fit. Despite my best efforts, I don’t think this garment has ever not looked like a potato sack, that is, a potato sack with an uncanny resemblance to medical scrubs.

As it stands, this dress would probably be more at home in a doctor’s surgery than wherever I would be wearing it. I toyed with adding a collar, but it didn’t really work out too well.

I don’t know about you, but when I hit a brick wall with a project, my sewing motivation goes right downhill. Add to this a couple of failed job interviews and you haven’t exactly got a match made in stitching heaven.

I need to claw back my motivation. As I post this, I’ll be searching for another style in the hope I can salvage what I have left of the fabric before I forever associate it with the medical-scrubs gone wrong.

What’s on your sewing table at the moment? Have you ever had to turn around a failed project?