The Twitter Dress – finally!

Well, wasn’t this just a project that went on and on and on and on?

Pattern: Colette Patterns‘ Pastille (adapted)
Time taken: TOO BLOODY LONG
Fabric: Turquoise cotton fabric plus quilting cotton for bodice
Details: Wonky embroidered bird, lapped zipper, princess seams.

As I mentioned in my last post, setting myself a deadline really helped me get this project done eventually. It was a dress which started out with the best of intentions, inspired by a pair of earrings resembling the Twitter logo. The original dress used a vintage pattern I gave away earlier this year and I thought it would all be so easy because there were so few pattern pieces.

Except that didn’t quite work out and I was left wondering what on earth I should do with a dress which wouldn’t look out of place on the operating table. Enter Pastille, a pattern I’d originally pictured in this colour.

Because of the way the original bodice was cut, I had to make some adjustments to the front bodice, namely changing darts on the front to princess seams so I’d have separate pieces to work with. I also did a swayback adjustment because I knew my muslin of this pattern gaped a lot at the zipper.

Then it was a seemingly endless process of basting and unpicking as I tried to get the fit just right on the bodice. At first, the front stuck out at the armpits because I hadn’t taken enough out to accommodate the extra seams. I remedied this by taking half an inch off the shoulders and a little extra off the princess seams. It’s by no means perfect, but it’s the best fit I’ve managed in a garment yet.

Well, you all know how I feel about the embroidery, but I don’t think it was too shabby for a first attempt.

Unfortunately I didn’t have enough fabric to create the cool pleated effect on the skirt. I initially thought of adding a black band, but I thought it would a bit naff.

To finish, I added a lapped centre zipper because, while they’re certainly extra effort, I’m a big fan of how it keeps everything nicely hidden. Especially useful when you don’t actually have the right colour zipper to hand…

All that was left to add was a snippet of a ribbon I got free with Mollie Makes magazine a couple of months ago. I think it adds a nice touch, no?

This pattern, by the way, save for the back piece, is absolutely fantastic. I’ve honestly never made anything where all the darts lined up so perfectly and everything (save for the bits I had to change because of fabric limitations) went very smoothly. It’s a testament to how well-designed the Colette Patterns’ range is.

But, more than anything… I’M SO GLAD IT’S OVER. Finally, I can move on to something else! I’m planning to do a bit of experimentation with dye this weekend, but my next proper project will be part of the Peony sewalong.

In fact, I have another deadline for this one. Oh, and it’s a biggie.

In November, I’ll actually be in the Guardian’s offices for the Guardian Student Media Awards, because I only went and got nominated!!! (I’ve been keeping this under my hat for what feels like an eternity…) I can’t think of anything better than to show up in something I’ve made myself as part of a digital sewalong.

Who else is taking part? I’m properly excited!

Sew Colette : When life gets in the way

sew colette meringue sewalong

The Meringue skirts for the Sew Colette sewalong look absolutely amazing! Hats off to those of you who got them finished because the ones I’ve seen on the Flickr group are amazing. One of my favourites so far is Lucille’s two-tone beauty, which you can read about here.

Sadly, this is what mine looks like at the moment. (excuse the crappy phone-camera shot, my camera is broken) Hopefully I’ll get it done this week so I can get involved with the Pastille dress, but for now, I’m a little behind.

Life gets in the way of sewing sometimes. It’s a topic I’ve touched on before – the course I’m doing is pretty demanding and while 2012 has been much better in terms of sewing than the beginning of 2011 was, sometimes I get home and don’t much feel like sewing at all.

The logo for our in-house paper. 

Let’s take yesterday for example. Far from being entirely unproductive, yesterday our team put together our very first newspaper in the first of our 18 production days.

These are part of our assessment – basically, we all take different roles within the newsroom and work together to create the paper by our deadline of 4.30. So yesterday, instead of being a student, seamstress or a blogger I had to put on a Chief-Sub hat and hope for the best.

Basically, I was the one in charge of the layout of the paper, what went where and assigning stories to people who checked them over and made sure they fit into boxes on the page.

…it’s alright, we got the paper out, we survived!

I have a tendency to match up new experiences to various hobbies I have. My first production day as a whole was a lot like the very first time I had a full-contact fight in Karate – I certainly felt like I’d had the wind knocked out of me after both days and I’ll let you guess which one had me sat with a bag of frozen peas on my head for the evening…

In some ways, when we saw the entire paper up on the board completely finished, it reminded me a bit of the first time I ever sewed a piece of clothing.

By my sewing standards now, it was utter crap – the seams weren’t finished, pretty sure the waistband didn’t match up and the invisible zipper was definitely on show. It’s also made from a quilting cotton which creases really easily (huh, sounds familiar…) and I’m pretty sure it’s falling to pieces.

We’ll probably look back on what we’ve done in our first paper and cringe at  the mistakes we made – but there’s still this sense of accomplishment (and relief!) at creating the product itself.

My first ever skirt is hidden somewhere at the bottom of my drawer… what about you? Any first sewing memories? I’ll try and dig out some pictures so I can show you, but I’d love to have a look at any of yours – the good, the bad and the ugly!